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13133
Seit 01.10.2008 aktualisiert 01.10.2008
242 Besucher seit 11.03.2021
Rechte
: (noch niemand)
Sahara Hotnights
Power Pop
,
Rock
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www.saharahotnights.com
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Genre
----------
*Rock ****************
Acoustic Rock
Alternative Rock
Indie-Rock
Nu Rock
Post Rock
Art Rock
Avantgarde Rock
Blues Rock
Classic Rock
Crossover
Dark Rock
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Retro-Rock
Rock & Roll
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Psychobilly
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Spy Rock
Surfabilly
*Pop *****************
Afrobeat
Austropop
Bastard Pop (Mashup)
Beat
Britpop
Shoegazing
Easy Listening
Electro Pop
Bitpop
Chiptune
Future Pop
Emo Pop
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Neue Deutsche Welle (NDW)
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*Metal ***************
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Dark Metal
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*Punk ****************
77er Punk
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DeutschPunk
Electropunk
Emo Punk
Folk Punk
Fun Punk
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Hardcore Punk
Crustcore
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Skatecore
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Thrashcore
Horror-Punk
Melodic Punk
Oi Punk
Polit Punk
Pop Punk
Post-Punk
Art Punk
No Wave
Punk Rock
Skapunk
Streetpunk
*Jazz ****************
Acid Jazz
Nu Jazz
Avantgarde Jazz
Bebop
Cool Jazz
Hard Bop
Modern Jazz
Soul Jazz
Chicago Jazz
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Free Jazz
Fusion (Jazz-Rock)
Heavy Fusion
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Jazzfunk
Latin Jazz
Modern Creative
Neobop
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Ragtime
Smooth Jazz
Swing
*Latin ***************
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Reggae
Dancehall
Dub
Early Reggae
Ragga
Roots Reggae
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2-Tone-Ska
Jamaican Ska
Salsa
Samba
Soca
Chutney Soca
Jump Up Soca (Trinidad)
Rapso
Son Cubano
Tango Argentino
Electrotango
*Afro ****************
Blues
Boogie-Woogie
Funk
Electro Funk
Funk Rock
P-Funk
Rhythm & Blues
Soul
Zydeco
*Folk ****************
Arabeske
Ballade (dt.)
Cajun (am.)
Chanson (fr.)
Country/Western (am.)
Bluegrass
Irish Folk
Klezmer (jid.)
Neofolk (int.)
Neue Volksmusik (dt.)
Northern Soul (brit.)
Rai (alg.)
Rembetiko (gr.)
Schlager (dt.)
*Electronic **********
Ambient
Dark Ambient
Illbient
Breakbeat
2 Step
Big Beat
Drum & Bass
Jump Up
Liquid Funk
Techstep
Jungle
Dance
Disco Polo
Euro Dance
Hi NGR
Italo Disco
New Beat
Downbeat
Chill-Out
House
Acid House
Chicago House
Deep House
Disco House
Dubstep
Garage House
Grime
Hard House
Hip House
Kwaito
Latin House
Minimal House
Newstyle
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Tech House
Tribal House
Vocal House
Industrial
Death Industrial
Electro Industrial
Electronic Body Music (EBM)
Dark Electro
Electro
Hardcore Electro
Noise
Japanoise
Power Electronics
*Techno **************
Acid Techno
Detroit Techno
Hardcore Techno
Gabber
Speedcore
Terrorcore
IDM
Glitchcore
Minimal Techno
Rave
Schranz
Trance
Acid Trance
Dream House
Goa
Hard Trance
Hardstyle
Progressive Trance
Psychedelic Trance
Tech Trance
*Spirituell **********
Bhajan
Chasan (Kantor)
Christliche Popmusik
Gospel
Black Gospel
White Gospel
Praise and Worship
Islamische Musik
Negro Spiritual
*Sonstige ************
A Cappella
Instrumental
Klassik
Oldies
Singer / Songwriter
Tanzmusik
Worldmusic
----------
*Rock ****************
Acoustic Rock
Alternative Rock
Indie-Rock
Nu Rock
Post Rock
Art Rock
Avantgarde Rock
Blues Rock
Classic Rock
Crossover
Dark Rock
Deutschrock
Hamburger Schule
Krautrock
Neue Deutsche Härte
Electronic Rock
Emo Rock
Folk Rock
Gitarren Rock
Gothic Rock
Death Rock
Hard Rock
Glam Rock
Grunge Rock
Stoner (Desert Rock)
Industrial Rock
Latin Rock
Melodic Rock
Noise Rock
Oldschool Rock
Progressive Rock
Psychedelic Rock
Retro-Rock
Rock & Roll
Rockabilly
Psychobilly
Southern Rock
Surf Rock
Spy Rock
Surfabilly
*Pop *****************
Afrobeat
Austropop
Bastard Pop (Mashup)
Beat
Britpop
Shoegazing
Easy Listening
Electro Pop
Bitpop
Chiptune
Future Pop
Emo Pop
Hip Hop
Britcore
Crunk
G-Funk
Ghetto Tech
Miami bass
Rap
Deutschrap
Gangsta Rap
Rio Funk
Trip Hop
Indie Pop
J-pop
Melodic Pop
New Wave
Dark Wave
Cabaret Noir (Dunkles Kabarett)
Cold Wave
Ethereal
Neue Deutsche Todeskunst (NDT)
Electro Wave
Minimal Electro
Neue Deutsche Welle (NDW)
Synthie Pop
Power Pop
Skiffle
*Metal ***************
Alternative Metal
Avantgarde Metal
Black Metal
Classic Metal
Dark Metal
Death Metal
Melodic Death Metal
Doom Metal
Epic Metal
Folk Metal
Funk Metal
Gothic Metal
Grindcore
Grunge Metal
Heavy Metal
Industrial Metal
Mathcore
Melodic Metal
Modern Metal
Nu Metal
Pagan Metal
Power Metal
Progressive Metal
Skaldic Metal
Speed Metal
Stoner Metal
Symphonic Metal
Thrash Metal
True Metal
Viking Metal
White Metal
*Punk ****************
77er Punk
Anarcho Punk
DeutschPunk
Electropunk
Emo Punk
Folk Punk
Fun Punk
Gothic Punk
Hardcore Punk
Crustcore
Emocore
Grungecore
Hatecore
Jazzcore
Melodycore
Metalcore
Noisecore
Post-Hardcore
Screamo
Skacore
Skatecore
Straight Edge
Thrashcore
Horror-Punk
Melodic Punk
Oi Punk
Polit Punk
Pop Punk
Post-Punk
Art Punk
No Wave
Punk Rock
Skapunk
Streetpunk
*Jazz ****************
Acid Jazz
Nu Jazz
Avantgarde Jazz
Bebop
Cool Jazz
Hard Bop
Modern Jazz
Soul Jazz
Chicago Jazz
Dixieland Jazz
Ethno-Jazz
Free Jazz
Fusion (Jazz-Rock)
Heavy Fusion
Jazzcore
Jazzfunk
Latin Jazz
Modern Creative
Neobop
New Orleans Jazz
Ragtime
Smooth Jazz
Swing
*Latin ***************
Bossa Nova
Calypso
Mento (Reggae/Ska)
Reggae
Dancehall
Dub
Early Reggae
Ragga
Roots Reggae
Rocksteady
Ska
2-Tone-Ska
Jamaican Ska
Salsa
Samba
Soca
Chutney Soca
Jump Up Soca (Trinidad)
Rapso
Son Cubano
Tango Argentino
Electrotango
*Afro ****************
Blues
Boogie-Woogie
Funk
Electro Funk
Funk Rock
P-Funk
Rhythm & Blues
Soul
Zydeco
*Folk ****************
Arabeske
Ballade (dt.)
Cajun (am.)
Chanson (fr.)
Country/Western (am.)
Bluegrass
Irish Folk
Klezmer (jid.)
Neofolk (int.)
Neue Volksmusik (dt.)
Northern Soul (brit.)
Rai (alg.)
Rembetiko (gr.)
Schlager (dt.)
*Electronic **********
Ambient
Dark Ambient
Illbient
Breakbeat
2 Step
Big Beat
Drum & Bass
Jump Up
Liquid Funk
Techstep
Jungle
Dance
Disco Polo
Euro Dance
Hi NGR
Italo Disco
New Beat
Downbeat
Chill-Out
House
Acid House
Chicago House
Deep House
Disco House
Dubstep
Garage House
Grime
Hard House
Hip House
Kwaito
Latin House
Minimal House
Newstyle
Progressive House
Speed Garage
Tech House
Tribal House
Vocal House
Industrial
Death Industrial
Electro Industrial
Electronic Body Music (EBM)
Dark Electro
Electro
Hardcore Electro
Noise
Japanoise
Power Electronics
*Techno **************
Acid Techno
Detroit Techno
Hardcore Techno
Gabber
Speedcore
Terrorcore
IDM
Glitchcore
Minimal Techno
Rave
Schranz
Trance
Acid Trance
Dream House
Goa
Hard Trance
Hardstyle
Progressive Trance
Psychedelic Trance
Tech Trance
*Spirituell **********
Bhajan
Chasan (Kantor)
Christliche Popmusik
Gospel
Black Gospel
White Gospel
Praise and Worship
Islamische Musik
Negro Spiritual
*Sonstige ************
A Cappella
Instrumental
Klassik
Oldies
Singer / Songwriter
Tanzmusik
Worldmusic
----------
*Rock ****************
Acoustic Rock
Alternative Rock
Indie-Rock
Nu Rock
Post Rock
Art Rock
Avantgarde Rock
Blues Rock
Classic Rock
Crossover
Dark Rock
Deutschrock
Hamburger Schule
Krautrock
Neue Deutsche Härte
Electronic Rock
Emo Rock
Folk Rock
Gitarren Rock
Gothic Rock
Death Rock
Hard Rock
Glam Rock
Grunge Rock
Stoner (Desert Rock)
Industrial Rock
Latin Rock
Melodic Rock
Noise Rock
Oldschool Rock
Progressive Rock
Psychedelic Rock
Retro-Rock
Rock & Roll
Rockabilly
Psychobilly
Southern Rock
Surf Rock
Spy Rock
Surfabilly
*Pop *****************
Afrobeat
Austropop
Bastard Pop (Mashup)
Beat
Britpop
Shoegazing
Easy Listening
Electro Pop
Bitpop
Chiptune
Future Pop
Emo Pop
Hip Hop
Britcore
Crunk
G-Funk
Ghetto Tech
Miami bass
Rap
Deutschrap
Gangsta Rap
Rio Funk
Trip Hop
Indie Pop
J-pop
Melodic Pop
New Wave
Dark Wave
Cabaret Noir (Dunkles Kabarett)
Cold Wave
Ethereal
Neue Deutsche Todeskunst (NDT)
Electro Wave
Minimal Electro
Neue Deutsche Welle (NDW)
Synthie Pop
Power Pop
Skiffle
*Metal ***************
Alternative Metal
Avantgarde Metal
Black Metal
Classic Metal
Dark Metal
Death Metal
Melodic Death Metal
Doom Metal
Epic Metal
Folk Metal
Funk Metal
Gothic Metal
Grindcore
Grunge Metal
Heavy Metal
Industrial Metal
Mathcore
Melodic Metal
Modern Metal
Nu Metal
Pagan Metal
Power Metal
Progressive Metal
Skaldic Metal
Speed Metal
Stoner Metal
Symphonic Metal
Thrash Metal
True Metal
Viking Metal
White Metal
*Punk ****************
77er Punk
Anarcho Punk
DeutschPunk
Electropunk
Emo Punk
Folk Punk
Fun Punk
Gothic Punk
Hardcore Punk
Crustcore
Emocore
Grungecore
Hatecore
Jazzcore
Melodycore
Metalcore
Noisecore
Post-Hardcore
Screamo
Skacore
Skatecore
Straight Edge
Thrashcore
Horror-Punk
Melodic Punk
Oi Punk
Polit Punk
Pop Punk
Post-Punk
Art Punk
No Wave
Punk Rock
Skapunk
Streetpunk
*Jazz ****************
Acid Jazz
Nu Jazz
Avantgarde Jazz
Bebop
Cool Jazz
Hard Bop
Modern Jazz
Soul Jazz
Chicago Jazz
Dixieland Jazz
Ethno-Jazz
Free Jazz
Fusion (Jazz-Rock)
Heavy Fusion
Jazzcore
Jazzfunk
Latin Jazz
Modern Creative
Neobop
New Orleans Jazz
Ragtime
Smooth Jazz
Swing
*Latin ***************
Bossa Nova
Calypso
Mento (Reggae/Ska)
Reggae
Dancehall
Dub
Early Reggae
Ragga
Roots Reggae
Rocksteady
Ska
2-Tone-Ska
Jamaican Ska
Salsa
Samba
Soca
Chutney Soca
Jump Up Soca (Trinidad)
Rapso
Son Cubano
Tango Argentino
Electrotango
*Afro ****************
Blues
Boogie-Woogie
Funk
Electro Funk
Funk Rock
P-Funk
Rhythm & Blues
Soul
Zydeco
*Folk ****************
Arabeske
Ballade (dt.)
Cajun (am.)
Chanson (fr.)
Country/Western (am.)
Bluegrass
Irish Folk
Klezmer (jid.)
Neofolk (int.)
Neue Volksmusik (dt.)
Northern Soul (brit.)
Rai (alg.)
Rembetiko (gr.)
Schlager (dt.)
*Electronic **********
Ambient
Dark Ambient
Illbient
Breakbeat
2 Step
Big Beat
Drum & Bass
Jump Up
Liquid Funk
Techstep
Jungle
Dance
Disco Polo
Euro Dance
Hi NGR
Italo Disco
New Beat
Downbeat
Chill-Out
House
Acid House
Chicago House
Deep House
Disco House
Dubstep
Garage House
Grime
Hard House
Hip House
Kwaito
Latin House
Minimal House
Newstyle
Progressive House
Speed Garage
Tech House
Tribal House
Vocal House
Industrial
Death Industrial
Electro Industrial
Electronic Body Music (EBM)
Dark Electro
Electro
Hardcore Electro
Noise
Japanoise
Power Electronics
*Techno **************
Acid Techno
Detroit Techno
Hardcore Techno
Gabber
Speedcore
Terrorcore
IDM
Glitchcore
Minimal Techno
Rave
Schranz
Trance
Acid Trance
Dream House
Goa
Hard Trance
Hardstyle
Progressive Trance
Psychedelic Trance
Tech Trance
*Spirituell **********
Bhajan
Chasan (Kantor)
Christliche Popmusik
Gospel
Black Gospel
White Gospel
Praise and Worship
Islamische Musik
Negro Spiritual
*Sonstige ************
A Cappella
Instrumental
Klassik
Oldies
Singer / Songwriter
Tanzmusik
Worldmusic
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April 18 marks the return of Sahara Hotnights. “What If Leaving Is A Loving Thing” is their forth album, produced by Björn Yttling. The new album was preceded by the single Cheek To Cheek, which is already one of the most played songs on Swedish radio and hit the prestigious Tracks chart’s no. 1 spot. While it is the sole track with a disco influence, it is representative of the inviting and attractive arrangements of the album as a whole. Covering 10 songs in 37 minutes, the album recalls the classic LP, and will also be out on vinyl. It’s no coincidence. Sahara Hotnights have always been fond of exploring music that was made before the arrival of the CD format, and applicated their sound to a range of influences. This time around, the material is a bit more laid back and melancholic, but at the same time unashamedly melodic. Just listen to pop gems like Visit To Vienna, Salty Lips and Getting Away With Murder. If Sahara Hotnights’ first album consisted of pop rock, the second one was punk pop, and their third effort power pop. The new album defies that type of categorization. – Whatever we’ve created, it’s far from punk and garage rock, drummer Josephine Forsman says. – You could say that we have been influenced by the records we tend to be most inspired by when we sometimes do our own DJ sets, adds singer/guitarist Maria Andersson. They are referring to names like Stevie Nicks, Albert Hammond, later Saints albums, ABBA, Bryan Ferry... In short, artists with a firm love of songwriting and great production values. Even if you still can hear traces of the powerpop that inspired their previous album (Teenage Fanclub, Elvis Costello, Joe jackson, Big Star), the overall feeling is that the album is more varied, less intense and ”in your face”. – A lot of care has been taken to find a great balance, Josephine confirms. Before, ballads have kind of been exceptions for us. We even had a hard time taking them seriously. Whereas now, they’re just as important as the rest of the material. Which is obvious to anyone who hears the melancholic, suggestive sounds of No For An Answer. If you are looking for proof that the band can still rock, look no further than songs like Puppy – complete with a cow bell that would make Blue Öyster Cult jealous – or the urban Keith Richards groove of Neon Lights. Since their last album, Kiss And Tell, was released in 2004, Sahara Hotnights have toured in their native Sweden and internationally, started their own record company “Stand By Your Band”, written songs and contemplated who would be the right people to record their new album. In the end, they chose producer Björn Yttling and engineer Lasse Mårtén, who turned out to be the perfect team for the album the band wanted to make. Björn, who is also one third of acclaimed trio Peter, Björn and John, was recommended by several of the band’s friends and colleagues, including Swedish solo artist Marit Bergman. It didn’t take the band long to realize that they had been right. The band’s songwriters, Maria and Josephine, spent a long time doing pre-production together with Björn. They took the songs apart, re-built them again, tried different tempos – and agreed on three instruments that would be allowed in addition to the bands own line-up: Piano, saxophone and cow bell! This way, all ballast was thrown overboard, and no one was tempted to add a wall of guitars and synths once the recording had commenced. Being well-prepared also resulted in the band’s smoothest recording sessions so far. The basic tracks were laid down in the Atlantis studios, after which the band relocated to Debibel studios, also in Stockholm, for overdubs and lead vocals. However, some of Maria’s guide vocals from Atlantis turned out to be so great that they ended up on the album. Just like the music, Maria’s lyrics and vocals add a new dimension to the band’s songs. The words are thorough, yet emotional, and deal with different scenarios and aspects of human relations. Maria has always convinced, especially on-stage, but this time she oozes new confidence, having the ability to express differents moods, depending on what the song needs. Like the sporting elite, she seems to push less, while achieving more. On hearing songs like Static, it’s hard not to see her as a Swedish heiress to Chrissie Hynde – cool, yet sensual. Like a lot of lyricists, Maria collects ideas and phrases over a long period of time, before finishing the lyrics at home. The music also shows a new kind of authority. The band describe the overall sound as ”minimalistic-bombastic”. Which means that while each song consists of less parts, it sounds bigger. One or two electric guitars. A distorted bass. A dry drum sound. Sparingly used backing vocals. Maybe some piano or a saxophone to enrichen the sound. But just like Jeff Lynne (whose ELO album Time, first solo album, Traveling Wilburys project and Tom Petty productions are among the band’s most important references), these parts create a whole that is delicious, inviting and has a lot of space. Björn also helped the band separate the album from the live situation, something that they hadn’t felt entirely comfortable with in the past. – Using a piano in the studio doesn’t necessarily mean that you have to use it live. They are two different worlds and we are confident enough on stage to challenge ourselves, says bassist Johanna Asplund. Some albums you love immediately, but you tend to grow tired of them pretty soon. Others take a while to get into. What If leaving Is A Loving Thing is the kind of album that you get into at once – and it makes you want to stay. The melodies are intact, the clothing new. Let’s just say that Sahara Hotnights have made their most complete album, full of songs that will works as good in clubs throughout the world, as well at festivals.
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(Grund und Zeitpunkt der Bandauflösung)
Eintragsdatum
01.10.2008 03:14:00 CEST
Änderungsdatum
01.10.2008 03:17:00 CEST
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3.141.244.201