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13805
Seit 28.06.2009 aktualisiert 01.05.2010
239 Besucher seit 07.03.2021
Rechte
: (noch niemand)
Mitch Hillford Front
Blues Rock
,
Fusion (Jazz-Rock)
,
Funk
26127 Oldenburg
mail-form
www.mitchhillford.com
link
Info
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Genre
----------
*Rock ****************
Acoustic Rock
Alternative Rock
Indie-Rock
Nu Rock
Post Rock
Art Rock
Avantgarde Rock
Blues Rock
Classic Rock
Crossover
Dark Rock
Deutschrock
Hamburger Schule
Krautrock
Neue Deutsche Härte
Electronic Rock
Emo Rock
Folk Rock
Gitarren Rock
Gothic Rock
Death Rock
Hard Rock
Glam Rock
Grunge Rock
Stoner (Desert Rock)
Industrial Rock
Latin Rock
Melodic Rock
Noise Rock
Oldschool Rock
Progressive Rock
Psychedelic Rock
Retro-Rock
Rock & Roll
Rockabilly
Psychobilly
Southern Rock
Surf Rock
Spy Rock
Surfabilly
*Pop *****************
Afrobeat
Austropop
Bastard Pop (Mashup)
Beat
Britpop
Shoegazing
Easy Listening
Electro Pop
Bitpop
Chiptune
Future Pop
Emo Pop
Hip Hop
Britcore
Crunk
G-Funk
Ghetto Tech
Miami bass
Rap
Deutschrap
Gangsta Rap
Rio Funk
Trip Hop
Indie Pop
J-pop
Melodic Pop
New Wave
Dark Wave
Cabaret Noir (Dunkles Kabarett)
Cold Wave
Ethereal
Neue Deutsche Todeskunst (NDT)
Electro Wave
Minimal Electro
Neue Deutsche Welle (NDW)
Synthie Pop
Power Pop
Skiffle
*Metal ***************
Alternative Metal
Avantgarde Metal
Black Metal
Classic Metal
Dark Metal
Death Metal
Melodic Death Metal
Doom Metal
Epic Metal
Folk Metal
Funk Metal
Gothic Metal
Grindcore
Grunge Metal
Heavy Metal
Industrial Metal
Mathcore
Melodic Metal
Modern Metal
Nu Metal
Pagan Metal
Power Metal
Progressive Metal
Skaldic Metal
Speed Metal
Stoner Metal
Symphonic Metal
Thrash Metal
True Metal
Viking Metal
White Metal
*Punk ****************
77er Punk
Anarcho Punk
DeutschPunk
Electropunk
Emo Punk
Folk Punk
Fun Punk
Gothic Punk
Hardcore Punk
Crustcore
Emocore
Grungecore
Hatecore
Jazzcore
Melodycore
Metalcore
Noisecore
Post-Hardcore
Screamo
Skacore
Skatecore
Straight Edge
Thrashcore
Horror-Punk
Melodic Punk
Oi Punk
Polit Punk
Pop Punk
Post-Punk
Art Punk
No Wave
Punk Rock
Skapunk
Streetpunk
*Jazz ****************
Acid Jazz
Nu Jazz
Avantgarde Jazz
Bebop
Cool Jazz
Hard Bop
Modern Jazz
Soul Jazz
Chicago Jazz
Dixieland Jazz
Ethno-Jazz
Free Jazz
Fusion (Jazz-Rock)
Heavy Fusion
Jazzcore
Jazzfunk
Latin Jazz
Modern Creative
Neobop
New Orleans Jazz
Ragtime
Smooth Jazz
Swing
*Latin ***************
Bossa Nova
Calypso
Mento (Reggae/Ska)
Reggae
Dancehall
Dub
Early Reggae
Ragga
Roots Reggae
Rocksteady
Ska
2-Tone-Ska
Jamaican Ska
Salsa
Samba
Soca
Chutney Soca
Jump Up Soca (Trinidad)
Rapso
Son Cubano
Tango Argentino
Electrotango
*Afro ****************
Blues
Boogie-Woogie
Funk
Electro Funk
Funk Rock
P-Funk
Rhythm & Blues
Soul
Zydeco
*Folk ****************
Arabeske
Ballade (dt.)
Cajun (am.)
Chanson (fr.)
Country/Western (am.)
Bluegrass
Irish Folk
Klezmer (jid.)
Neofolk (int.)
Neue Volksmusik (dt.)
Northern Soul (brit.)
Rai (alg.)
Rembetiko (gr.)
Schlager (dt.)
*Electronic **********
Ambient
Dark Ambient
Illbient
Breakbeat
2 Step
Big Beat
Drum & Bass
Jump Up
Liquid Funk
Techstep
Jungle
Dance
Disco Polo
Euro Dance
Hi NGR
Italo Disco
New Beat
Downbeat
Chill-Out
House
Acid House
Chicago House
Deep House
Disco House
Dubstep
Garage House
Grime
Hard House
Hip House
Kwaito
Latin House
Minimal House
Newstyle
Progressive House
Speed Garage
Tech House
Tribal House
Vocal House
Industrial
Death Industrial
Electro Industrial
Electronic Body Music (EBM)
Dark Electro
Electro
Hardcore Electro
Noise
Japanoise
Power Electronics
*Techno **************
Acid Techno
Detroit Techno
Hardcore Techno
Gabber
Speedcore
Terrorcore
IDM
Glitchcore
Minimal Techno
Rave
Schranz
Trance
Acid Trance
Dream House
Goa
Hard Trance
Hardstyle
Progressive Trance
Psychedelic Trance
Tech Trance
*Spirituell **********
Bhajan
Chasan (Kantor)
Christliche Popmusik
Gospel
Black Gospel
White Gospel
Praise and Worship
Islamische Musik
Negro Spiritual
*Sonstige ************
A Cappella
Instrumental
Klassik
Oldies
Singer / Songwriter
Tanzmusik
Worldmusic
----------
*Rock ****************
Acoustic Rock
Alternative Rock
Indie-Rock
Nu Rock
Post Rock
Art Rock
Avantgarde Rock
Blues Rock
Classic Rock
Crossover
Dark Rock
Deutschrock
Hamburger Schule
Krautrock
Neue Deutsche Härte
Electronic Rock
Emo Rock
Folk Rock
Gitarren Rock
Gothic Rock
Death Rock
Hard Rock
Glam Rock
Grunge Rock
Stoner (Desert Rock)
Industrial Rock
Latin Rock
Melodic Rock
Noise Rock
Oldschool Rock
Progressive Rock
Psychedelic Rock
Retro-Rock
Rock & Roll
Rockabilly
Psychobilly
Southern Rock
Surf Rock
Spy Rock
Surfabilly
*Pop *****************
Afrobeat
Austropop
Bastard Pop (Mashup)
Beat
Britpop
Shoegazing
Easy Listening
Electro Pop
Bitpop
Chiptune
Future Pop
Emo Pop
Hip Hop
Britcore
Crunk
G-Funk
Ghetto Tech
Miami bass
Rap
Deutschrap
Gangsta Rap
Rio Funk
Trip Hop
Indie Pop
J-pop
Melodic Pop
New Wave
Dark Wave
Cabaret Noir (Dunkles Kabarett)
Cold Wave
Ethereal
Neue Deutsche Todeskunst (NDT)
Electro Wave
Minimal Electro
Neue Deutsche Welle (NDW)
Synthie Pop
Power Pop
Skiffle
*Metal ***************
Alternative Metal
Avantgarde Metal
Black Metal
Classic Metal
Dark Metal
Death Metal
Melodic Death Metal
Doom Metal
Epic Metal
Folk Metal
Funk Metal
Gothic Metal
Grindcore
Grunge Metal
Heavy Metal
Industrial Metal
Mathcore
Melodic Metal
Modern Metal
Nu Metal
Pagan Metal
Power Metal
Progressive Metal
Skaldic Metal
Speed Metal
Stoner Metal
Symphonic Metal
Thrash Metal
True Metal
Viking Metal
White Metal
*Punk ****************
77er Punk
Anarcho Punk
DeutschPunk
Electropunk
Emo Punk
Folk Punk
Fun Punk
Gothic Punk
Hardcore Punk
Crustcore
Emocore
Grungecore
Hatecore
Jazzcore
Melodycore
Metalcore
Noisecore
Post-Hardcore
Screamo
Skacore
Skatecore
Straight Edge
Thrashcore
Horror-Punk
Melodic Punk
Oi Punk
Polit Punk
Pop Punk
Post-Punk
Art Punk
No Wave
Punk Rock
Skapunk
Streetpunk
*Jazz ****************
Acid Jazz
Nu Jazz
Avantgarde Jazz
Bebop
Cool Jazz
Hard Bop
Modern Jazz
Soul Jazz
Chicago Jazz
Dixieland Jazz
Ethno-Jazz
Free Jazz
Fusion (Jazz-Rock)
Heavy Fusion
Jazzcore
Jazzfunk
Latin Jazz
Modern Creative
Neobop
New Orleans Jazz
Ragtime
Smooth Jazz
Swing
*Latin ***************
Bossa Nova
Calypso
Mento (Reggae/Ska)
Reggae
Dancehall
Dub
Early Reggae
Ragga
Roots Reggae
Rocksteady
Ska
2-Tone-Ska
Jamaican Ska
Salsa
Samba
Soca
Chutney Soca
Jump Up Soca (Trinidad)
Rapso
Son Cubano
Tango Argentino
Electrotango
*Afro ****************
Blues
Boogie-Woogie
Funk
Electro Funk
Funk Rock
P-Funk
Rhythm & Blues
Soul
Zydeco
*Folk ****************
Arabeske
Ballade (dt.)
Cajun (am.)
Chanson (fr.)
Country/Western (am.)
Bluegrass
Irish Folk
Klezmer (jid.)
Neofolk (int.)
Neue Volksmusik (dt.)
Northern Soul (brit.)
Rai (alg.)
Rembetiko (gr.)
Schlager (dt.)
*Electronic **********
Ambient
Dark Ambient
Illbient
Breakbeat
2 Step
Big Beat
Drum & Bass
Jump Up
Liquid Funk
Techstep
Jungle
Dance
Disco Polo
Euro Dance
Hi NGR
Italo Disco
New Beat
Downbeat
Chill-Out
House
Acid House
Chicago House
Deep House
Disco House
Dubstep
Garage House
Grime
Hard House
Hip House
Kwaito
Latin House
Minimal House
Newstyle
Progressive House
Speed Garage
Tech House
Tribal House
Vocal House
Industrial
Death Industrial
Electro Industrial
Electronic Body Music (EBM)
Dark Electro
Electro
Hardcore Electro
Noise
Japanoise
Power Electronics
*Techno **************
Acid Techno
Detroit Techno
Hardcore Techno
Gabber
Speedcore
Terrorcore
IDM
Glitchcore
Minimal Techno
Rave
Schranz
Trance
Acid Trance
Dream House
Goa
Hard Trance
Hardstyle
Progressive Trance
Psychedelic Trance
Tech Trance
*Spirituell **********
Bhajan
Chasan (Kantor)
Christliche Popmusik
Gospel
Black Gospel
White Gospel
Praise and Worship
Islamische Musik
Negro Spiritual
*Sonstige ************
A Cappella
Instrumental
Klassik
Oldies
Singer / Songwriter
Tanzmusik
Worldmusic
----------
*Rock ****************
Acoustic Rock
Alternative Rock
Indie-Rock
Nu Rock
Post Rock
Art Rock
Avantgarde Rock
Blues Rock
Classic Rock
Crossover
Dark Rock
Deutschrock
Hamburger Schule
Krautrock
Neue Deutsche Härte
Electronic Rock
Emo Rock
Folk Rock
Gitarren Rock
Gothic Rock
Death Rock
Hard Rock
Glam Rock
Grunge Rock
Stoner (Desert Rock)
Industrial Rock
Latin Rock
Melodic Rock
Noise Rock
Oldschool Rock
Progressive Rock
Psychedelic Rock
Retro-Rock
Rock & Roll
Rockabilly
Psychobilly
Southern Rock
Surf Rock
Spy Rock
Surfabilly
*Pop *****************
Afrobeat
Austropop
Bastard Pop (Mashup)
Beat
Britpop
Shoegazing
Easy Listening
Electro Pop
Bitpop
Chiptune
Future Pop
Emo Pop
Hip Hop
Britcore
Crunk
G-Funk
Ghetto Tech
Miami bass
Rap
Deutschrap
Gangsta Rap
Rio Funk
Trip Hop
Indie Pop
J-pop
Melodic Pop
New Wave
Dark Wave
Cabaret Noir (Dunkles Kabarett)
Cold Wave
Ethereal
Neue Deutsche Todeskunst (NDT)
Electro Wave
Minimal Electro
Neue Deutsche Welle (NDW)
Synthie Pop
Power Pop
Skiffle
*Metal ***************
Alternative Metal
Avantgarde Metal
Black Metal
Classic Metal
Dark Metal
Death Metal
Melodic Death Metal
Doom Metal
Epic Metal
Folk Metal
Funk Metal
Gothic Metal
Grindcore
Grunge Metal
Heavy Metal
Industrial Metal
Mathcore
Melodic Metal
Modern Metal
Nu Metal
Pagan Metal
Power Metal
Progressive Metal
Skaldic Metal
Speed Metal
Stoner Metal
Symphonic Metal
Thrash Metal
True Metal
Viking Metal
White Metal
*Punk ****************
77er Punk
Anarcho Punk
DeutschPunk
Electropunk
Emo Punk
Folk Punk
Fun Punk
Gothic Punk
Hardcore Punk
Crustcore
Emocore
Grungecore
Hatecore
Jazzcore
Melodycore
Metalcore
Noisecore
Post-Hardcore
Screamo
Skacore
Skatecore
Straight Edge
Thrashcore
Horror-Punk
Melodic Punk
Oi Punk
Polit Punk
Pop Punk
Post-Punk
Art Punk
No Wave
Punk Rock
Skapunk
Streetpunk
*Jazz ****************
Acid Jazz
Nu Jazz
Avantgarde Jazz
Bebop
Cool Jazz
Hard Bop
Modern Jazz
Soul Jazz
Chicago Jazz
Dixieland Jazz
Ethno-Jazz
Free Jazz
Fusion (Jazz-Rock)
Heavy Fusion
Jazzcore
Jazzfunk
Latin Jazz
Modern Creative
Neobop
New Orleans Jazz
Ragtime
Smooth Jazz
Swing
*Latin ***************
Bossa Nova
Calypso
Mento (Reggae/Ska)
Reggae
Dancehall
Dub
Early Reggae
Ragga
Roots Reggae
Rocksteady
Ska
2-Tone-Ska
Jamaican Ska
Salsa
Samba
Soca
Chutney Soca
Jump Up Soca (Trinidad)
Rapso
Son Cubano
Tango Argentino
Electrotango
*Afro ****************
Blues
Boogie-Woogie
Funk
Electro Funk
Funk Rock
P-Funk
Rhythm & Blues
Soul
Zydeco
*Folk ****************
Arabeske
Ballade (dt.)
Cajun (am.)
Chanson (fr.)
Country/Western (am.)
Bluegrass
Irish Folk
Klezmer (jid.)
Neofolk (int.)
Neue Volksmusik (dt.)
Northern Soul (brit.)
Rai (alg.)
Rembetiko (gr.)
Schlager (dt.)
*Electronic **********
Ambient
Dark Ambient
Illbient
Breakbeat
2 Step
Big Beat
Drum & Bass
Jump Up
Liquid Funk
Techstep
Jungle
Dance
Disco Polo
Euro Dance
Hi NGR
Italo Disco
New Beat
Downbeat
Chill-Out
House
Acid House
Chicago House
Deep House
Disco House
Dubstep
Garage House
Grime
Hard House
Hip House
Kwaito
Latin House
Minimal House
Newstyle
Progressive House
Speed Garage
Tech House
Tribal House
Vocal House
Industrial
Death Industrial
Electro Industrial
Electronic Body Music (EBM)
Dark Electro
Electro
Hardcore Electro
Noise
Japanoise
Power Electronics
*Techno **************
Acid Techno
Detroit Techno
Hardcore Techno
Gabber
Speedcore
Terrorcore
IDM
Glitchcore
Minimal Techno
Rave
Schranz
Trance
Acid Trance
Dream House
Goa
Hard Trance
Hardstyle
Progressive Trance
Psychedelic Trance
Tech Trance
*Spirituell **********
Bhajan
Chasan (Kantor)
Christliche Popmusik
Gospel
Black Gospel
White Gospel
Praise and Worship
Islamische Musik
Negro Spiritual
*Sonstige ************
A Cappella
Instrumental
Klassik
Oldies
Singer / Songwriter
Tanzmusik
Worldmusic
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deutsch
Soulful Blues At Its Best... Groovy Blues Funk - oder wie auch immer man das explosive musikalische Gebräu der fünf Jungs aus Niedersachsen bezeichnen will, geht definitiv in die Beine! Seit 2005 hat sich die Truppe um den jungen Ausnahmegitarristen- und Sänger einen festen Namen in der Szene erspielt. Festivals und Tourneen mit Mitch Ryder, Inga Rumpf, Roger Cicero und vielen anderen nationalen und Internationalen Showgrößen haben ein wachsendes Publikum nicht nur von den musikalischen, sondern auch den Entertainer- Qualitäten der Band überzeugen können. Das Debutalbum \\\"trouble in mind\\\" (RPR, 2005) wurde von Fans und Kritikern gleichermaßen enthusiastisch rezipiert und nach einigen Umbesetzungen ist die Band gerade dabei, neues Material für eine 2009 anstehende Herbsttournee quer durch Deutschland zusammenzustellen. Ein neues Album ist ebenfalls geplant. Wer sie noch nicht kennt, sollte dann auf jeden Fall die Chance nutzen, we sie einmal live gesehen hat, geht sowieso immer wieder hin...
englisch
Born on May, 17th, 1985, Mitch Hillford has been under the influence of handmade music from the cradle. His father used to sing and play the guitar occasionally, which fascinated the young boy and not before long he wanted to learn to play an instrument, too. His parents took him to the music school but there were no vacancies for guitar students, so he had to pick up the violin instead. A couple of years passed with Mitch practising on his instrument getting better and better but he disliked the strict rules and regulations of classical music more and more. Around his 14th birthday he decided that things had to change and that he needed more musical freedom and an instrument that he could play the way that felt right to him. So he took his father\\`s guitar and started to practise. The first steps were painful, but soon he found himself sitting down with the trusty old instrument all the day, forgetting everything around him. \\`It was almost frightening how good he was all of a sudden\\`, says his mother, \\`he\\`d take up the guitar where- and whenever it was possible. That really made me crazy sometimes. Even if he would talk to you he would not stop to play\\`. But there was a bigger problem: The music Mitch grew up with and which he loved so much - the Blues - was not admired by any of his classmates and friends. They rather went for punk, pop, or techno. There were a lot of bands with young musicians in those days, but they almost all consisted of untalented kids banging their heads, playing the same two power chords over and over and barking out four-letter-words. Hillford did not jump on this train, although he grew isolated more and more and didn\\`t have too many friends, because nobody wanted to hear the latest news about BB King or listen to Robert Johnson\\`s records. And of course nobody wanted to form a Blues Band with him. As a consequence Mitch had to concentrate on his own abilities and started playing solo acoustic gigs. That was funny and raised a bit of pocket money, but the interest was gone very soon, when he played electric guitar for the first time. \\`Going to Paul\\`s Music House was always like havin\\` birthday - There were so many different guitars and amps and everything. I would\\`nt speak too much when we were over there, there were too many things to explore. Stuff I had never dared to dream about.\\`, remembers Mitch. His parents began to be concerned about their son, because he did nothing except sitting in his room and playing guitar. When he asked them to buy him an electric guitar like Eric Clapton\\`s \\`Blackie\\`, they told him first to finish school. But Mitch didn\\`t believe that this could help. It would rather delay his development and harm his creativity. So he ordered the guitar from one of his teachers. When his mother found out about the activities of her son, he had to give it back. But that was a little too late. The guitar was never given back ... In his High School years he started to make some money and spent it all on equipment. He learned to play the drums and found engagements with the Soderblom Big Band and the jazz-fusion project \\`ensemble sept\\`. He received good grades and everything seemed to be alright, but deep in his heart he still had the strong wish to front a blues band and record blues material, to play live. Meanwhile the word of his talents on the guitar had spread and he had several recording sessions, even German Blues veterans \\`Das Dritte Ohr\\` asked him to join their group. (He had to turn down their offer because he hadn\\`t finished school yet). Around the time he got his driving license, he started to attend Osnabruck\\`s famous \\`Blue Monday\\` sessions where he received enthusiastic reactions not only by the audience but also by veterans as Chris Rannenberg, Doug Jay, Memo Gonzales or Toscho Todorovic. It was Gonzales who started to call him \\`Junior\\`. One of his concerts was attended by German jazz legends Wolfgang Schmid and Curt Cress, who both had a huge grin on their face throughout the gig. When saxophonist Scully Cording formed a new \\`All-Star\\` outfit playing soul, RnB and funk in 2003, he asked Mitch to join the band. They are currently touring Northern Germany, calling themselves the \\\"74ScullysRockOrchestra\\\" Having passed his A-Levels in May 2004, \\`Junior\\` Hillford hit the road in July and August - November with his own blues band, \\`Mystery Train\\`, including Heiwi Meier on Bass, Sebastian Heise on keyboards and Peer Soehring on drums. In the spring of 2005 the Band recorded their debut album \\\"trouble in mind\\\", which excited crowds as well as critics. Gary Bookwood replaced Meier in May 2005 and Daniel Ellermann took over the drummer\\`s chair. In March 2006 Mitch teamed up with master drummer George Loewe (Madonna King/Rage Against The Machine), Heiwi Meier(bass) and keyboarder Andreas Potter for a weekly nightclub engagement. The group was christened \\\"White Room\\\" and gave Mitch the opportunity to play more urban blues again and concentrate on his improvising skills. Occasionally, the Band was extended by Christof Mueller on percussion and flute and by the legendary british guitarist and producer Pete Thomas. 2009 saw the band (now under the label of \\\"Mitch Hillford Front\\\") performing a new series of memorable gigs and Sharing the stage with greats like Mitch Ryder and Joe Cocker. A new album is to be released in fall 2009.
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Eintragsdatum
28.06.2009 03:15:00 CEST
Änderungsdatum
01.05.2010 14:14:00 CEST
Username
IP
18.119.172.146